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Juliette-Joséphine Simon-Girard (8 May 1859 – 1954) was a French soprano, principally in operetta.〔Gänzl K. Juliette Simon-Girard. In: The New Grove Dictionary of Opera. Macmillan, London and New York, 1997.〕 Her father, Philippe Lockroy, was an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique. ==Career== Girard was born at Paris. After studies at the Conservatoire in 1876 (in the class of Henri de Régnier) she made her debut at the Théâtre des Folies-Dramatiques as Carlinette in Offenbach's ''La foire Saint-Laurent'' on 10 February 1877, and then became an overnight star by creating the role of Serpolette in ''Les cloches de Corneville'' on 19 April 1877.〔Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895.〕 During the run of ''Les cloches de Corneville'' she met and married the well-known tenor Simon-Max, thereafter becoming Mme Simon-Girard.〔 At the age of 19, she created the title role in Offenbach’s ''Madame Favart''; then ''La fille du tambour-major'' in 1879 becoming one of Paris’s most popular performers, prominent on the city's stages for 30 years.〔 At the Folies-Dramatiques she also created roles in ''Beau Nicolas'' (1880), ''Les poupées de l'infante'' (1881), ''Fanfan la tulipe'' (1882), ''La princesse des Canaries'' (1883); moving to the Théâtre des Nouveautés she was in the premiere of ''La vie mondaine''. On return to the Folies-Dramatiques she replaced Ugalde in ''Les petits mousquetaires'' and then created the title role in ''La fauvette du temple'' (17 November 1885). After singing with her husband in the premiere of ''La chatte blanche'', at the Théâtre du Châtelet on 2 April 1887, she spent a year in Belgium〔 which included the premiere of Lecocq's ''Ali-Baba''. Simon-Girard’s return to Paris was at the Théâtre de la Gaîté in 1888 in revivals of ''Le grand Mogul'' and ''La fille du tambour-major'', before creating the title role in ''Voyage de Suzette'' on 20 January 1890. After several productions at the Théâtre de la Renaissance (where she created ''Mlle Asmodée'' in 1891 and ''La femme de Narcisse'' in 1892, and revived ''La jolie parfumeuse'' in 1892, she went back to the Folies-Dramatiques and created Eva in Varney’s ''Miss Robinson'' on 17 July 1892. From 1893, she was at the Théâtre des Bouffes Parisiens with more premieres〔 including Olga in Pessard's Mam'zelle Carabin (3 November 1893). She met her second husband Félix Huguenet while performing in ''L’enlèvement de la Toledad'' in 1894, and from then on took on more comedy acting parts. In November 1899 she took the title role at the Théâtre des Variétés in a major and successful revival of ''La belle Hélène'', which ran for over five hundred performances.〔Stoullig E. ''Les Annales du Théâtre et de la Musique, 26ème édition, 1900.'' G Charpentier et Cie, Paris, 1901.〕 In 1903, Simon-Girard made recordings of songs from Offenbach operettas (''Barbe-bleue'', ''Belle Hélène'', ''Madame Favart'', ''La Jolie Parfumeuse'', ''La Périchole'' and ''La Grande-Duchesse''),〔Crichton R. The Operettas of Offenbach. In: ''Opera on Record 3''. Blyth, A (ed). Hutchinson, London, 1984, p181.〕 excerpts from ''Les cloches de Corneville'', and songs by Messager, Audran and Lecocq. She died at Nice. Her son was Aimé Simon-Girard. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Juliette Simon-Girard」の詳細全文を読む スポンサード リンク
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